Ivana Ivković
Ivana Ivković (1979, Belgrade) gained international recognition by shifting the infamous classical roles between men and women in her drawings, performances and site-specific works. The notion of identity and gendered experience plays a key role in her work.
Ivković examines gender roles between men and women in her art using the naked or semi- naked male body as a performative instrument within her orchestrated scenes or tableau vivant. Exposed in different relations within the exhibition space and with minimalistic choreography, the male body in Ivana’s performances becomes simply a medium, a channel of sensitivity, vulnerability, discomfort and sensuality.
Evolving between personal history and transitory memories, Ivana’s artistic practice encompasses a wide range of media through which she creates site-specific interventions and distinctively remarkable environments in the exhibition space. Ivana’s work is primarily associated with the medium of drawings.These reveal the technical, expressive and interpretive potential in its flexible boundaries through the articulation of conceptual and thematic contents that are in the focus of the author’s research: ranging from personal reflections, intimate stories and immediate surroundings to various phenomena of global socio-political context resulting from the artist’s frequented dislocation through travel and nomadic way of life.
Whether they are staying as the two-dimensional play of lines and shapes, or they are monumentalized and build for a certain space, all of Ivana’s work is, above all, connected through associativity of the scenes, complex symbolic meanings of chosen motifs, subtle and poetic but at the same time a very strong statement. Distinctive and individual creative process which Ivana constantly builds in the drawing and then further develops through work with other carefully chosen media (photography, ambient and site-specific installations, textile and luminous objects, performances and orchestrated scenes) most accurately can be understood as a reflection of a specific sensibility and perception of the world. This process of reflection in the author’s search for personal and artistic identity faces and deeply permeates intimate narratives and autobiographical references with the socio-political realities of space and environments from North and Latin America, through Africa and Europe to the Middle East.
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IVANA IVKOVIĆ
Born: August 5th 1979, Belgrade, Serbia
Lives and works in Belgrade.
EDUCATION
2009 MFA Drawing at the Faculty of Fine Arts in Belgrade, University of
Arts in Belgrade
2005 BFA Painting at the Faculty of Fine Arts in Belgrade, University of
Arts in Belgrade
SOLO EXHIBITIONS
2023
MONUMENT: The School of Athens, part of the exhibition project – EVROVIZION: CROSSING STORIES AND SPACES by ifa (Institut für Auslandsbeziehungen) in cooperation with Goethe-Institut Athen and EMΣT, the National Museum of Contemporary Art Athens, Greece
California Dream (OMNIBUS: ISOLATION), Cultural Center of Belgrade, Art Gallery, Belgrade, Serbia
2022
MONUMENT: NO ONE IS LOST, Hošek Contemporary Berlin in cooperation with mala voadora, Porto, Portugal
MONUMENT: NO ONE IS LOST – AFTERPIECE, Humboldt Forum, Berlin, Germany
DISOBEDIENCE (THE PALACE), with Selma Selman and Marina Marković, Edjšeg Palata, Novi Sad, Serbia
2021
MONUMENT: NO ONE IS LOST, part of the exhibition project – EVROVIZION: CROSSING STORIES AND SPACES by ifa (Institut für Auslandsbeziehungen), Museum of Contemporary Art in Vojvodina, Novi Sad, Serbia
AFTER YOU, Salon of the Museum of Contemporary Art in Belgrade, Serbia
MONUMENT: NO ONE IS LOST, part of the exhibition project – EVROVIZION: CROSSING STORIES AND SPACES by ifa (Institut für Auslandsbeziehungen), The Historical Museum of Bosnia and Herzegovina, Sarajevo, Bosnia and Herzegovina
2020
Mother and Father, Gallery of the Cultural Center Šabac, Serbia
In Him We Trust, BITEF Theater, Belgrade, Serbia
2019
Mother tongue, Belgrade Gallery, Belgrade, Serbia
I DID IT FOR YOU, EIKON Gallery, Vienna, Austria
I ONLY WANT TO LOVE ME, Hošek Contemporary, Berlin, Germany
KISS ME KILL ME, Tbilisi Art Fair, Tbilisi, Georgia
2018
AMUSE ME, Contemporary Art Gallery, Subotica, Serbia
Say I am sorry, Boris Burić and Ivana Ivković, Navigator Gallery, Belgrade, Serbia
2017
Babylon the Great, Eugster || Belgrade Gallery, Belgrade, Serbia
2015
LIKE THERE IS NO TOMORROW, Beirut Art Residency, Beirut, Lebanon
Time regained, Fo Kia Nou Gallery, Athens, Greece
FIRE, Amari, Crete, Greece
Eccentric exercise II, Cultural Center of Belgrade, Art Gallery, Belgrade, Serbia
BRONX TALE, Riverdale space, New York City, USA
Sensing Realities, Galerie B312, Montreal, Canada
2014
GOING BACK HOME, Prototip Gallery, Belgrade, Serbia
In the middle of the garden, TEJAS Gallery, Calcutta, India
2013
The Center, Les Gens Heureux Gallery, Copenhagen, Denmark
Kora Leone, FLU Gallery, Belgrade, Serbia
EVERY BREATH I TAKE IS ONE OF YOURS, Casa dell Arte Gallery, Bodrum, Turkey
2012
61 days in Harlem, Gallery FLU, Belgrade, Serbia
Drawings, RU Gallery, Residency Unlimited, NYC, USA
SINCE I MET YOU I HAVE NO PEACE, SULUJ Gallery, Belgrade, Serbia
2011
Holyoffice, Palm Springs, Sound and Visions festival, Majdanpek, Serbia
PRESENTE 6, Cultural Center of Belgrade, Art Gallery, Belgrade, Serbia
European Cinema II, DVORIŠTE Gallery, Pančevo, Serbia
2010
Borska 36, Gallery Qucera, Cultural Center of Rakovica, Belgrade, Serbia
2009
HOLYOFFICE, FLU Gallery, Belgrade, Serbia
2008
I AM READY FOR YOU, MATT Concept Gallery, La Coruna, Spain
European Cinema, ArtPoint Gallery, KulturKontakt, Vienna, Austria
I AM READY FOR YOU, Arte Gallery, Belgrade, Serbia
House of Fat Gioconda, DOB Gallery, Belgrade, Serbia
2006
Drawings, FLU Gallery, Belgrade, Serbia
European Solitude, Kunstpunkt project, Dusseldorf, Germany
SELECTED GROUP EXHIBITIONS
2022
Secondary Archive, Manifesta 14, Prishtina, Kosovo
THE ART OF ANTI-WAR, CZKD, Belgrade, Serbia
THE ART OF ANTI-WAR, The Historical Museum of Bosnia and Herzegovina, Sarajevo, Bosnia and Herzegovina
2021
ARTiculations: Female Prison – Hotel Freedom, The National museum of Pančevo, Pančevo, Serbia
AT SECOND GLANCE, Austrian Cultural Forum, online exhibition, Belgrade – Vienna, Austria
2020
A ROOM WITH A VIEW, curated by Svetlana Petrović and Gordana Dobrić, Belgrade Cultural Center Art Gallery, Belgrade, Serbia
2019
Capitalism – Salon in Niš 12/2, Contemporary Art Gallery Niš, Serbia
City and the memory – 63. October Salon in Šabac, National museum of Šabac, Serbia
Unprotected witness number 1: AFRODISIAC, Museum of African Art, Belgrade, Serbia
Sketches for the moving images – 13. Biennial of watercolor, Contemporary Art Gallery Zrenjanin, Zrenjanin, Serbia
The burning body – curated by Marko Stamenkoviq, Diocletian’s basements, Split, Croatia
HIDDEN HERITAGE, Contemporary Art in the Medieval Architecture, Golubac Fortress, Golubac, Serbia
2018
A mirror to reflect myself upon, TheArtFoundation, Athens, Greece
Body as Medium and Sense, Contemporary Art Gallery DR. Vinko Perčić, Subotica, Serbia
When we were sad, within the project From diaspora to diversities curated by Miroslav Karić, National Museum of Montenegro, Cetinje, Montenegro
Lipstick on the glass, Galeria OPK Gaude Mater, Czestochowa, Poland
2017.
Shelters of Babylon, project Risk Change, Kibla Portal, KID Kibla, Maribor, Slovenia
2016.
LINES, ROWS, COLUMNS (Dormitory), 56th October salon, The pleasure of love, curated by David Elliott, Museum of Belgrade City, Belgrade, Serbia
From diaspora to diversities, Macedonian Contemporary Art Gallery Ćifte Amam, Skopje, North Macedonia
Like there is no tomorrow, Drina Gallery, Belgrade, Serbia
From diaspora to diversities, REMONT Gallery, Belgrade, Serbia
Serbian Contemporary Art, Residency of Swiss Embassy, Belgrade, Serbia
2013.
Neighboring landscapes II, curated by Boshko Boskovic, SC Gallery, Zagreb, Croatia
Memory of the space, Contemporary Art Gallery, Subotica, Serbia
Neighboring landscapes II, curated by Boshko Boskovic, Belgrade Cultural Center Art Gallery, Belgrade, Serbia
2012.
Earth No. 9, Gallery 73, Belgrade, Serbia
The Most Beautiful Building, MIKSER Festival, Belgrade, Serbia
Without postponing, Gallery of Cultural center GRAD, Belgrade, Serbia
2011.
Artist as aquarellist, Contemporary Gallery Zrenjanin, Serbia
Spring Serbian Salad – Fresh, Colorful and Delicious, Lukas Feichtner Gallery, Vienna, Austria
2009.
Boudoir, Gallery Eurocentar, Belgrade Serbia
Collector as curator, Arte Gallery, Belgrade, Serbia
2006.
Accademiedi belle arti: Un mondo in transformacione, Arte Fiera Reggio Emilia, Reggio Emilia, Italy
ARTIST IN RESIDENCES, GRANTS AND SCHOLARSHIPS
2016
Zhangjiajie Artist in Residence, Hunan, China
Can Serrat, Artist in Residence program, Barcelona, Spain
2015
Beirut Art Residency, Beirut Lebanon
AtrAmari Artist in Residence program, Crete, Greece
Artist in Residence program, Galerie B312, Montreal, Canada
2014
Atelierhaus Salzamt, Artist in Residence program, Linz, Austria
Bagan Project, Artist in Residence program, Calcutta, India
Café Tissardmine, Artist in Residence program, Erfoud, Morocco
2013
Les Gens Heureux, Artist in Residence program, Copenhagen , Denmark
Artist in Residence scholarship, Casa dell Arte, Bodrum, Turkey
2012
Artist in Residence scholarship, Residency Unlimited, New York, USA
2008
Artist in Residence scholarship, KulturKontakt, Vienna, Austria
2006
Artist in Residence scholarship, Academy of Fine Arts in Dusseldorf, Germany
2005
Real Presence – Floating Sites, collateral event of 51. Venice Biennale, coordinated by Biljana Tomić, Venice, Italy
LECTURES
2021
Artist Talk about After You exhibition, together with curator Miroslav Karić and actors: Vladica Čulić, Željko Maksimović and Đorđe Živadinović Gegur
2015
Artist in Residences as a practice, conversation with Ana Bogdanović, Salon of The Museum of Contemporary Art, Belgrade, Serbia
2015
Ivana Ivković – Artist talk, Museum of Contemporary Art, Rethimno, Greece
2015
Ivana Ivković – Conversation in Contemporary Art, visiting artist lecture, Concordia University, Montreal, Quebec, Canada
2013
Series of lectures Mobile construct, Faculty of Architecture, University of Belgrade, Serbia
2012
Artist Talk – Contemporary Drawing: Erin Brown in discussion with Sara Bichao, Ivana Ivković, & Tuguldur Yondonjamts, Residency, Unlimited, New York City, USA
AWARDS
2022
Finalist for the “Politika” award of the “Vladimir Ribnikar” Foundation for Fine Arts and the most successful exhibition in the year 2021
2019
Finalist for the “Politika” award of the “Vladimir Ribnikar” Foundation for Fine Arts and the most successful exhibition in the year 2018
2010
Finalist for the “Politika” award of the “Vladimir Ribnikar” Foundation for Fine Arts and the most successful exhibition in the year 2009
2007
Finalist for the “Politika” award of the “Vladimir Ribnikar” Foundation for Fine Arts and the most successful exhibition in the year 2006
2005
“Grand award Rista and Beta Vukanović, painters” awarded by the Faculty of Fine Arts in Belgrade at the end of the 5th, final year of the study. This is the most important award at Faculty of Fine Arts in Belgrade, given for the general achievement in the artistic fields
2005
“Talent Prize” for the achievement in the field of drawing, awarded by the Faculty of Fine Arts in Belgrade
COLLECTIONS
Ifa (Institut für Auslandsbeziehungen), Stuttgart/Berlin, Germany
The Museum of Contemporary Art, Belgrade, Serbia
Contemporary Art Gallery Subotica, Serbia
Wiener Stadtische Collection of Contemporary Art
Collection of October Salon, Belgrade Cultural Center
Telenor Collection of Serbian contemporary art
Collection of the Museum of Belgrade City
Casa dell Arte Collection, Istanbul, Turkey
Private collections from New York City, Basel, Lisbon and Belgrade
SELECTED BIBLIOGRAPHY
2023
Spaić, Jelena. “Three Colours for Four Steps”, text from the book Ivana Ivković facing Morocco, dsbooks Bassel & Cultural Center of Belgrade, 2023, pp. 27-35
Karić, Miroslav. “Edition FACING”, text from the book Ivana Ivković facing Morocco, dsbooks Bassel and Cultural Center of Belgrade, 2023, pp. 19-21
Savatić, Tijana. “ISOLATION: PATHS AND SPACES”, Omnibus: Isolation, exhibition catalogue, Cultural Center of Belgrade, Art Gallery, Belgrade, Serbia, 2023, pp. 18-19
2022
Paunić, Natalija. “Beauty on standby — seeing the works of Alexandra Kovačević and Ivana Ivković, text for Wiener Art Collection, Belgrade, Serbia, 2022
Paunić, Natalija. “PALACE: OUR TIME”, The Palace, exhibition catalogue, Edjšeg Palata, Novi Sad, Serbia, 2022, pp. 5-6
2021
Karić, Miroslav. “AFTER YOU”, After You, exhibition catalogue, The Museum of Contemporary Art, Belgrade, Serbia, 2021, pp. 51-53
Ćinkul, Ljiljana. “Visual and performative experiment” – Ivana Ivković, After You, durational performance, Salon of the Museum of Contemporary Art in Belgrade, Politika newspaper, Belgrade, Serbia, 17.10.2021, p.14
Lazar, Aleksandra. “After You by Ivana Ivković”, interview with Ivana Ivković, Wiener Art Collection website, Belgrade, Serbia, 2021
Nikoletić, Dragana. “Subversion on multimedia way, After You by Ivana Ivković in Salon of the Museum of Contemporary Art in Belgrade”, NIN magazine, Belgrade, Serbia, 24.09.2021, pp. 53-54
2020
Dobrić, Gordana. “Visual Essays on Belgrade Today”, A room with a view, exhibition catalogue, Art Gallery – Cultural Centre of Belgrade, Serbia, 2020, p. 9, p.57
Milica Ružičić. “ComitetKa 01- conversation with Ivana Ivković“, ComitetKa podcast, Radar Levo podcast channel, Belgrade, 2020
Jovana Buljugić, “Who do we believe in or the art that awakes hope“, interview with Ivana Ivković, Culture/Interviews, Before After Magazine, Belgrade, 2020
Jordan Cvetanović. “It is hard to live freedom“, interview with Ivana Ivković, Culture, magazine Buro 247, Serbia, Belgrade, 2020
Tijana Dušej Ristev. “Everyone on the stage is what they really are“, interview with Ivana Ivković, BBC News – Serbia, Belgrade, 2020
2019
Dobrić, Gordana. “Capitalist realism and the contemporary visual scene“, Capitalism – Salon in Niš 12/2, Contemporary Art Gallery Niš, Serbia, 2019, pp.15-16
Paunić, Natalija. “You Are Not My Brother, Brother: Transitory Masculinity in the Art of Ivana Ivković“, EIKON Magazine No. 107, pp. 24-29
Karić, Miroslav. “Unseen Camera: Sketches for moving images“, 13th Biennial of Watercolor, exhibition catalogue, Contemporary Art gallery, Zrenjanin, 2019, pp. 7-9
Spaić, Jelena. “The Activation of Peripheral Vision“, Unprotected witness No. I: Afrodisiac, exhibition catalogue, The Museum of African Art, Belgrade, 2019, pp. 33-37
Nikoletić, Dragana. “Since I Met You I Have No Peace: Turbo-folk in contemporary art and theater – Conflict between peoples and elites“, NIN Magazine, Belgrade, 18 Jul 2019/3577, pp. 56-57
2018
Karić, Miroslav. “Over There and Somewhere“, From Diaspora to Diversities, exhibition catalogue, National Museum of Montenegro, Cetinje, Montenegro, 2018, pp. 7-13
Nikoletić, Dragana. “Art and Intimacy: Love, death and colorful underpants“, NIN Magazine, Belgrade, 23 Aug 2018/3530, pp. 48-52
Bogdanović, Ana. “I wanted to show that there is a fixed constant in very different epochs. The omnipresence of love and death“, Amuse me, exhibition catalogue, Contemporary Art gallery, Subotica, 2018, pp. 7-12
Kostandinović, Katarina. “Some thoughts on the exhibition Amuse me, The presence of absence or Fernweh in the works of Ivana Ivković“, Amuse me, exhibition catalogue, Contemporary Art gallery, Subotica, 2018, pp. 13-16
Tonković, Nela. “…I wish to live in peace with myself and not with the world. Conversation about the exhibition Amuse me, Nela Tonković and Ivana Ivković“, Amuse me, exhibition catalogue, Contemporary Art gallery, Subotica, 2018, pp. 17-27
2017
Karić, Miroslav. “There and Somewhere: artists’ stories on migration, mobility, displacement…“, From Diaspora to Diversities, exhibition catalogue, Esperanza World Cultural Center, Skopje, North Macedonia, 2017, pp. 109-111
Bogdanović, Ana. “On ephemeral consequences of Ivana Ivković’s art“, Babylon the Great, exhibition catalogue, Eugster II Belgrade Gallery, Belgrade, 2017
2012
Ćinkul, Ljiljana. “The road through the labyrinth“, Politika, Belgrade, March 22, 2012
2011
Janjić, Saša. “The Presence of the Absent“, Presente 6, exhibition catalogue, Cultural Center of Belgrade, Art Gallery, Belgrade, 2011, pp. 20-21
Dobrić, Gordana. “On the occasion of the exhibition, conversation with Ivana Ivković“, Presente 6, exhibition catalogue, Cultural Center of Belgrade, Art Gallery, Belgrade, 2011, pp. 22-23
Kadijević, Đorđe. “Art Activism“ (review of the Ivana Ivković’s exhibition Presente 6, Cultural Center of Belgrade, Art Gallery), NIN Magazine, Belgrade, 24 Feb 2011, p. 56
2009
Burić, Bojana. “Holy office“, HOLYOFFICE, exhibition catalogue, FLU Gallery, Belgrade, 2009, pp. 12
Ivana Ivković facing MOROCCO
Publishers: dsbooks & Cultural Centre of Belgrade, Basel – Belgrade, 2023
464 pages, English/Serbian
Editor/Series editor: Dragana Radivojević
Texts: FACING book series, Miroslav Karić; Three Colours for Four Steps, Jelena Spaić
ISBN 978-3-907135-02-0 (dsbooks)
ISBN 978-86-7996-280-5 (KCB)
AFTER YOU
Museum of Contemporary Art Belgrade, exhibition catalogue
32 pages, Serbian/English
Texts: Miroslav Karić, Jordan Cvetanović
The catalogue is published on the occasion of the eponymous exhibition in the Salon of the Museum of Contemporary Art, Belgrade, Serbia, September 17 – October 20, 2021
IN HIM WE TRUST
BITEF Theater, Belgrade, 2020
12 pages, Serbian/English
Text by Miroslav Karić
The catalogue is published on the occasion of the eight-hour long performance “In Him We Trust” in the BITEF Theatre held on January 31st, 2020, Belgrade, Serbia
EIKON Magazine 107
Sophie Calle | Ivana Ivkovic | Tillman Kaiser | Marielis Seyler | Valter Ventura |
Eikon, Vienna, Austria, 2019
100 pages, German/English
ISBN: 978-3-904083-00-3
Text by Natalija Paunić
The publication accompanies Ivana Ivković’s exhibition I DID IT FOR YOU, EIKON Schaufenster, Q21, Museums Quartier, Vienna, September 12 – October 27, 2019
Amuse me
Contemporary Art Gallery Subotica, 2018
108 pages, Serbian/English
ISBN: 978-86-85035-66-1
Texts by Ana Bogdanović, Katarina Konstandinović and a conversation with Nela Tonković and Ivana Ivković.
Photographies by Ivan Zupanc.
The catalogue is published on the occasion of the eponymous exhibition in the Contemporary Art Gallery Subotica, Serbia / March 24 – May 5, 2018
October Salon 56 THE PLEASURE OF LOVE
THE PLEASURE OF LOVE: Transient Emotion in Contemporary Art
The Cultural Centre of Belgrade, 2016
343 pages, Serbian/English
Essay Authors: David Elliott, Jelena Todorović, Bojana Pejić
Catalogue Design: Jonathan Abbott at Barnbrook
ISBN 978-86-7166–2
61 days in Harlem
FLU Gallery Belgrade, 2012
38 pages, Serbian/English
ISBN 978-86-88591-06-51
COBISS.SR-ID 199785484
Text by Jelena Spaić
The catalogue is published on the occasion of the eponymous exhibition in FLU Gallery, Belgrade, Serbia, 2012
PRESENTE 6
Belgrade Cultural Center, 2011
28 pages, Serbian/English
ISBN 978-86-7996-064-1
Text by Saša Janjić and conversation between Gordana Dobrić and Ivana Ivković
The catalogue is published on the occasion of the eponymous exhibition in the Belgrade Cultural Center, Belgrade, Serbia, 2011
HOLYOFFICE
FLU Gallery, Belgrade, 2009
12 pages, Serbian/English
Text by Bojana Burić
The catalogue is published on the occasion of the eponymous exhibition in the FLU Gallery, Belgrade, Serbia, 2009
PUSH PULL WONDERFUL
Vizartis, Belgrade, 2006
180 pages, Serbian/English
ISBN 86-83979-21-0
A book of drawings (2000-2005)